Cookie Consent by Free Privacy Policy website The exhibition Ghosts and the Self by the Mahony Collective at Villa delle Rose
june 23, 2016 - Mambo

The exhibition Ghosts and the Self by the Mahony Collective at Villa delle Rose

Promoting and nurturing young international art is the objective of the ROSE residence program conceived by the director of the Istituzione #bologna Musei Laura Carlini Fanfogna that the #mambo - #museo d'Arte Moderna di #bologna has organized for the year 2016-2017. The project, curated by Giulia Pezzoli, involves the Sandra Natali Residence for Artists and the exhibition area of Villa delle Rose, so that artists can reside and produce new works, arriving at the point of staging and opening a showing of their art. Moments of preparation and elaboration involve specialists and the general public during project execution.

The first residence period welcomes to #bologna from May 2016 the #mahonycollective, which will present to the public a project entitled Ghosts and the Self, chosen for its ability to use ironic language to give shape to an image of a contemporary European society in which the elements of a colonial past and a history of domination and cultural expansion reemerge, apparently sugarcoated by a simple, subtle esthetic, consistent with the themes presented.
The exhibition, which will be visible at Villa delle Rose from 9 June to 31 July, is part of CONCIVES 1116–2016 Ninth centennial of the Comune of #bologna and includes 15 works that, through a combination of different media, analyze illustrative episodes of the contradictions that characterized the colonial history of the West, considered in conjunction with the more current aspects of contemporary culture, still visible today in political debates and social conflicts of the moment.

The #mahonycollective, founded in 2002, is composed of Stephan Kobatsch from Austria, and Jenny Wolka and Clemens Leuschner from Germany. The foundation of the group’s research is an extensive epistemological analysis of the various ways of producing knowledge. Their approach has always been focused on process: information and objects go through various mediations and operations over time, both material and conceptual, and are subjected to transpositions and decontextualizations. The focus of the research regards transformations and unexpected results that occur during this process, both erratic and unpredictable.

Making use of a wide range of media (video, photography, print collage, sculpture, performance, installations), the #mahonycollective considers the preliminary research as a part of their artistic work, refusing any static and inactive view of the artwork.
Ghosts and the Self reflects the conflicted relationship between the contemporary image of European society and its colonial past, still visible today in political and social debates, highlighting how much of this past is spoken about, remembered, and made visible, and how much, on the other hand, has been forgotten, marginalized, and removed.

The exhibit seeks to correlate the formation of European states with their colonial expansion and occupation projects and the rise of anthropological and anthropometrical studies for the definition of racial standards. In these respects the artists have visited and were inspired by the collections of the Anthropology Museum of the University of #bologna, which will make it possible for the artists to acquire detailed knowledge of the collection of plaster reproductions from the Anthropology Institute of Florence.

The Mahony Collective’s analysis brings us to a crucial question: can human knowledge and the understanding of our own past accept an interpretation that has not been formed, crystalized, and detached from the present and relegated to museums, archives, and history books?

The Ghosts and the Self project brings together the artists in the collective with a specialized public: a group of students from the Accademia di Belle Arti in #bologna who, thanks to support from the Education department at #mambo, have worked with them to develop guided tours of the exhibit (every Wednesday at 6:30 pm), providing visitors with more information about the collective’s work. Cultural mediation tools for the public will also be produced thanks to this collaboration.

During the exhibition the Istituzione #bologna Musei | #mambo will publish a catalog featuring a rich selection of photographs of the exhibition at Villa delle Rose, as well as critical contributions from Roberto Pinto and Giulia Grechi.

The Sandra Natali Residence for Artists was established in 2010 in #bologna, in a building at Via Filippo Turati 41, bequeathed by Professor Sandra Natali. It has already been home to various artists since its opening, including Mariana Xavier, Caroline Challal Belval, and Amir Parsa.

As part of the ROSE program, the second period of residency between November 2016 and January 2017 will feature Roberto Pugliese who, with the [boˈloɲɲa] project, will analyze socio-cultural and architectural aspects of the city, recomposing them in musical scores for instruments and electronics. 


 

Mahony Collective
Ghosts and the Self
Villa delle Rose (via Saragozza 228–230, Bologna)

Exhibition hours:
From Thursday, 9 June to Sunday, 31 July 2016: Wednesdays, Thursdays, and Fridays 4:00 pm to 8:00 pm; Saturdays 10:00 am to 2:00 pm; Sundays, Mondays, and Tuesdays closed.
Sunday 31 July 2016 open 4:00 pm to 8:00 pm.
Free entrance.

Guided tours by students from the Accademia di Belle Arti of #bologna: Wednesdays at 6:30 pm.

ROSE Residence project
Mahony Collective
 Ghosts and the Self

Villa delle Rose (via Saragozza 228–230, Bologna) 
9 June – 31 July 2016