Cookie Consent by Free Privacy Policy website Zheng Guogu: 'Visionary Transformation' at MoMA PS1
giugno 01, 2019 - Moma

Zheng Guogu: 'Visionary Transformation' at MoMA PS1


Comunicato Stampa disponibile solo in lingua originale. 

Zheng Guogu: Visionary Transformation

March 31, 2019 – June 23, 2019 #moma PS1

Since the early 1990s, #zhengguogu (Chinese, b. 1970) has harnessed a variety of media to consider the impact of globalization and digital technologies on contemporary Chinese life and tradition. Ranging from photography and calligraphy to sculpture, painting and landscape design, his works display an interest in shifting ecologies of energy. Since 2005, Zheng has gradually built and recomposed a large complex of buildings and gardens on the outskirts of his native Yangjiang, a coastal city in southern China. He invites family, fellow artists and friends to inhabit this utopian domain he calls Liao Garden, which includes living quarters, various social spaces, studios, a teahouse and numerous canals and ponds. This evolving landscape provides Zheng with a setting for experimentation that is rooted in tradition but anarchistically constructed outside of what governmental authorities typically permit. As

such, his negotiations with the law provide another forum through which Zheng can explore networks of power and distribution— interests that have drawn him to subjects as varied as the economies of commercial products and the body’s circulatory system. Less concerned with the stability of forms and symbols than their mutability, Zheng aspires in his work to what he calls a state of “pure energy.”

The artist’s first solo museum exhibition in the
U.S., Visionary Transformation highlights a selection of twelve paintings from Zheng’s Great Visionary Transformation series made over the last eight years. These works retool imagery from traditional Buddhistthangkas, hanging scroll paintings that serve as meditation tools, typically depicting a central mandala or deity surrounded by disciples and donors. Zheng digitally superimposes multiplethangkas into a single hallucinatory image, which he paints on canvas using a number of different techniques. In their dense and evanescing complexity, these paintings evoke the Buddhist belief in the impermanence of the physical realm, offering allegories for the unstable relationships between systems of power, belief, and history that mark our age.

Zheng Guogu lives and works in Yangjiang, Guangdong Province, China. He graduated from Guangzhou Academy of Fine Arts in 1992, and was a founding member of Yangjiang Group, an art collective focusing on experimental Chinese calligraphy, founded in 2002. Zheng has participated in many significant international exhibitions, including Art and China After 1989: Theater of the World, Solomon R. Guggenheim Museum,

2017; Social Factory – 10th Shanghai Biennale,
2014; Farewell to Post-Colonialism – 3rd Guangzhou Triennial, 2008; Documenta 12, Kassel, 2007; Brave New Worlds, Walker Art Center, 2007; and Canton Express in Zone of Urgency, 50th Venice Biennale, 2003. His recent solo exhibitions include The Winding Path to Trueness, Mirrored Gardens, Guangzhou, 2017;Where energy inhabits?, Galerie Chantal Crousel, Paris, 2016;Visionary Transformation, VeneKlasen/ Werner, Berlin, 2015; andUbiquitous Plasma, OCAT Xi’an, 2015. He received the Best Artist Award from the Chinese #contemporaryart Awards in 2006.

Zheng Guogu: Visionary Transformation is organized by Peter Eleey, Chief Curator, with Josephine Graf, Curatorial Assistant, #moma PS1.

Zheng Guogu: Visionary Transformation is supported by the #moma PS1 China Initiative, which is made possible by Jerry I. Speyer and Katherine G. Farley. Additional funding is provided by the #moma PS1 Annual Exhibition Fund.

www.moma.org